Today I ventured to the Wizard World Philadelphia Comic Con with three goals in mind. To meet Pam Grier, Richard Roundtree and Billy Dee Williams. As my business partner and I made our trek, we talked about our continued love of the 1970′s, the films, the animation from the Saturday morning cartoons and the comics. We even discussed how this could be a small turning point in our lives as we continue to follow our passion by meeting these 1970′s film icons.
Once we arrived at the Philadelphia Convention Center I saw Pam Grier with her manager crossing the street heading toward the center. I shouted out “THERE’S PAM GRIER” and startled my business partner. I acted like I was a crazed fan screaming “WHERE’S THE CAMERA”…it was one of my funnier moments. I was reminded that I came here to take a picture with her and may have a chance to talk to her.
We parked the car and walked to the Convention Center, turned the corner and BAM, people with and without tickets were stacked up in the same line, all the way around the block waiting to get in. The process for entry was a nightmare…a 35 minute wait once I was in the Convention Center, and this was with tickets that I pre-ordered and paid for over the internet. When we finally arrived for the picture Pam Grier was gone. Well as anyone who PAID to have their picture taken at these events in hopes of having a 1 to 2 minute conversation would have been…I was ticked off. But I kept my cool and demanded my photo, since the Convention Center was ridiculously slow in processing my intake, which prevented me from seeing Pam on time.
Finally after much complaining a photographer escorted me to Pam’s booth and I was introduced to her. She was ever so gracious and kind. She shook my hand and for what felt like an eternity we stood arm in arm and I had my photo taken. I took a minute to gain my composure and I walked over to her booth and had a chance to talk to her about The Museum of UnCut Funk (MOUF), it’s mission and how we would love to do an interview with her. She expressed an interest and gave us a timeframe that would be good. I thanked her again and proceeded to pick up my Pam Grier and Billy Dee Williams photos.
There was as lag in time to pick up photos so we visited Richard Roundtree at his booth. He too was kind and gracious. I told him about the MOUF and our collection, especially items related to him and his body of work. Like Pam Grier he expressed interest in being interviewed. My photo of Richard will be mailed to me due to a back log in processing photos.
Billy Dee Williams was more reserved and since I had taken a photo with him earlier I introduced myself and shared with him our mission at The Museum of UnCut Funk. He too took my card and like the others seemed interested in an interview.
I can’t tell you if or when these interviews will come to fruition. We will certainly do our best to make them happen. But what I will tell you is that yesterday was one of the best days I have had while pursuing my passion.
Sista ToFunky
Clarice Taylor, the actress and comedian best known for playing grandmothers on “The Cosby Show” and “Sesame Street,” has died at the age of 93. Taylor died of congestive heart failure in her home in Englewood, N.J., on Monday, said her son, William Taylor.
During a career that spanned five decades, Taylor performed on radio and TV, in film and on stage, including in the original Broadway cast of the musical “The Wiz.”
Her films included the 1971 Clint Eastwood thriller “Play Misty for Me” and, besides “The Cosby Show,” she had another recurring TV role on “Sesame Street,” where she was grandmother to the character David.
Both Taylor and Earle Hyman, who played her husband on “The Cosby Show,” received Emmy nominations in 1986 for their roles as Anna and Russell Huxtable, parents of Bill Cosby’s character and grandparents of the Huxtable youngsters.
While touring with “The Wiz,” she roomed with Phylicia Rashad, who played Cosby’s wife on the “The Cosby Show.” She told The Associated Press in a 1987 interview that she decided to audition to play Rashad’s mother.
The Wiz broadway window card is a part of The Museum of UnCut Funk Collection
“I spent three hours making up my face and putting on my tight clothes,” Taylor said. “I didn’t want to look too old to be her mother.” She didn’t get the part.
Later, however, she was asked to audition for the part of Cosby’s mother. “I put on a gray wig, a bandana over that, flat-heeled shoes and a long dress with no shape to it,” she told the AP. “Bill saw through my act. I read five lines and he said, ‘If you’re going to go through all of this – you’ve got the part.’”
In 1987, she played the pioneering black female comedian Jackie “Moms” Mabley in an original off-Broadway play, “Moms,” with future “Law & Order” regular S. Epatha Merkerson also in the cast. Taylor later toured as Mabley in a one-woman show.
The Clarice Taylor as “Moms” Broadway window cards is a part of The Museum of UnCut Funk Collection
She also played the role of Addaperle, the Good Witch of the North, in the stage version of “The Wiz,” which opened in 1975. Taylor began her acting career with Harlem’s American Negro Theatre, and in the late 1960s was one of the original members of the New York-based Negro Ensemble Company.
Born Sept. 20, 1917, in Buckingham County, Va., she grew up in Harlem, where she skipped school to watch the sassy comedian Moms Mabley perform at the Apollo Theater. Taylor told the AP she portrayed Mabley in “Moms” because she was determined that the world not forget her. “She was so special and so wonderful,” she said in the 1987 interview. “Here’s a Black woman born in the last century who made a living at her craft. She never cleaned house or picked cotton. She went through a lot but she stuck with it.”
Taylor is survived by two sons, William and James, and four grandchildren.
Source: Associated Press
